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(4.31/5)The book uses very every day kind of language. The stories are all written from the point of view of one character, which both tends to be a bit easier than 3rd person pov and also gives a pretty good taste of how someone may think in Japanese.
There's not that much furigana, and the book is clearly intended for adults (both wrt the themes as well as th language used) but the style is very clean and not too complicated or abstract, making it rather easy to follow along.
Yoko Ogawa's writing manages to take something commonplace and familiar, or even something joyful, like a pregnancy, and infuse it with a sense of eeriness. There is a vaguely unsettling atmosphere throughout all three of the novellas in this collection. The reader's imagination does most of the work, and the text only feeds this imagination by highlighting slightly off details in an otherwise mostly familiar context.
What I found really interesting is that while the narration is in the first
A collection of three short stories, each of them about an unnamed young woman whose life is going through an unwelcome change, set in an eery, dreamlike atmosphere. Each of the narrators is, in their own way, out of touch with her own emotions, in one case so much she might count as an unreliable narrator.
While the style itself is straightforward enough, and a good source of exposure to slice-of-life-y vocab, this provides a challenge to the reader. You have to pay constant attention to nuan